Articles

116 results

Utopian Montage: exploring transnational folk cinemas online during the Covid-19 pandemic as part of the 2020 Folk Film Gathering film festival
Utopian Montage: exploring transnational folk cinemas online during the Covid-19 pandemic as part of the 2020 Folk Film Gathering film festival

Jamie Chambers and Will Higbee

Volume 4 • Issue 2 • 2021 • Volume 4

Book Review: Laura Sava, Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter, (Edinburgh University Press, 2019)
Book Review: Laura Sava, Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter, (Edinburgh University Press, 2019)

Ilia Ryzhenko

Volume 4 • Issue 2 • 2021 • Volume 4

Bristol Fashion: Reclaiming Cary Grant for Bristol – Film Heritage, Screen Tourism and Curating the Cary Comes Home Festival
Bristol Fashion: Reclaiming Cary Grant for Bristol – Film Heritage, Screen Tourism and Curating the Cary Comes Home Festival

Charlotte Crofts

Volume 4 • Issue 2 • 2021 • Volume 4

Rhetoric of Belonging and Transnational Appropriation in the Development and Marketing of the Bulgarian Popular Feature Love.net
Rhetoric of Belonging and Transnational Appropriation in the Development and Marketing of the Bulgarian Popular Feature Love.net

Maya Nedyalkova

Volume 4 • Issue 2 • 2021 • Volume 4

Book Review: James Buhler and Hannah Lewis (eds), Voicing the Cinema: Film Music and the Integrated Soundtrack (Chicago: University of Illinois Press, 2020)
Book Review: James Buhler and Hannah Lewis (eds), Voicing the Cinema: Film Music and the Integrated Soundtrack (Chicago: University of Illinois Press, 2020)

Georgia Brown

Volume 4 • Issue 2 • 2021 • Volume 4

Book Review: Martin Barker, Clarissa Smith and Feona Attwood, Watching Game of Thrones: How Audiences Engage with Dark Television (Manchester: Manchester University Press, 2021)
Book Review: Martin Barker, Clarissa Smith and Feona Attwood, Watching Game of Thrones: How Audiences Engage with Dark Television (Manchester: Manchester University Press, 2021)

Louise Coopey

Volume 4 • Issue 2 • 2021 • Volume 4

Blu-ray Review: Secrets & Lies [Criterion Collection, 2021] (Mike Leigh, 1996)
Blu-ray Review: Secrets & Lies [Criterion Collection, 2021] (Mike Leigh, 1996)

Kevin Fullerton

Volume 4 • Issue 2 • 2021 • Volume 4

Book Review: Mark Glancy, Cary Grant, the Making of a Hollywood Legend (Oxford: Oxford University Press, 2020), pp. xvii +550, ISBN: 9780190053130, £22.99 and Scott Eyman, Cary Grant: A Brilliant Disguise (New York: Simon & Schuster, 2020), pp. xiv +556, ISBN: 9781501192111, £25
Book Review: Mark Glancy, Cary Grant, the Making of a Hollywood Legend (Oxford: Oxford University Press, 2020), pp. xvii +550, ISBN: 9780190053130, £22.99 and Scott Eyman, Cary Grant: A Brilliant Disguise (New York: Simon & Schuster, 2020), pp. xiv +556, ISBN: 9781501192111, £25

Charlotte Crofts

Volume 4 • Issue 2 • 2021 • Volume 4

Book Review: Carol O’Sullivan and Jean-François Cornu (eds.), The Translation of Films, 1900–1950 (Oxford: Oxford University Press for The British Academy, 2019)
Book Review: Carol O’Sullivan and Jean-François Cornu (eds.), The Translation of Films, 1900–1950 (Oxford: Oxford University Press for The British Academy, 2019)

MaoHui Deng

Volume 4 • Issue 1 • 2021 • Volume 4 • 16

Central Park and its Provision
Central Park and its Provision

Adam O'Brien

Volume 4 • Issue 1 • 2021 • Volume 4 • 9

Book Review: Jon Burrows, The British Cinema Boom, 1909–1914: A Commercial History (London: Palgrave Macmillan, 2017)
Book Review: Jon Burrows, The British Cinema Boom, 1909–1914: A Commercial History (London: Palgrave Macmillan, 2017)

Henry K. Miller

Volume 4 • Issue 1 • 2021 • Volume 4 • 10

Book Review: Barbara Jane Brickman, Deborah Jermyn and Theodore Louis Trost (eds), Love Across the Atlantic: US-UK Romance in Popular Culture (Edinburgh: Edinburgh University Press, 2020)
Book Review: Barbara Jane Brickman, Deborah Jermyn and Theodore Louis Trost (eds), Love Across the Atlantic: US-UK Romance in Popular Culture (Edinburgh: Edinburgh University Press, 2020)

Lucy Bolton

Volume 4 • Issue 1 • 2021 • Volume 4 • 11

Book Review: Hannah Frank, Frame by Frame: A Materialist Aesthetics of Animated Cartoons (University of California Press, 2019)
Book Review: Hannah Frank, Frame by Frame: A Materialist Aesthetics of Animated Cartoons (University of California Press, 2019)

Malcolm Cook

Volume 4 • Issue 1 • 2021 • Volume 4 • 12

Screen Choice: The Relations, Interactions and Articulations of Watching Film
Screen Choice: The Relations, Interactions and Articulations of Watching Film

Matthew Hanchard, Peter Merrington and Bridgette Wessels

Volume 4 • Issue 1 • 2021 • Volume 4 • 6

Book Review: David McGowan, Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts (University of Texas Press, 2019)
Book Review: David McGowan, Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts (University of Texas Press, 2019)

Sam Summers

Volume 4 • Issue 1 • 2021 • Volume 4 • 13

Ross Anderson, The Making of Roger Rabbit: Pulling a Rabbit out of a Hat (University of Mississippi Press, 2019), pp. ix–386, ISBN: 978-1496822338 (pb), £22.86, ISBN: 9781496822321 (hb), £88.43
Ross Anderson, The Making of Roger Rabbit: Pulling a Rabbit out of a Hat (University of Mississippi Press, 2019), pp. ix–386, ISBN: 978-1496822338 (pb), £22.86, ISBN: 9781496822321 (hb), £88.43

Chris Pallant

Volume 4 • Issue 1 • 2021 • Volume 4 • 14

‘I’m Not There Anymore’: Film Performance Affects and the Loosening of Narrative
‘I’m Not There Anymore’: Film Performance Affects and the Loosening of Narrative

Pavel Prokopic

Volume 4 • Issue 1 • 2021 • Volume 4 • 7

Book Review: Malcolm Cook & Kirsten Moana Thompson (eds.), Animation and Advertising, (Palgrave Macmillan, 2019)
Book Review: Malcolm Cook & Kirsten Moana Thompson (eds.), Animation and Advertising, (Palgrave Macmillan, 2019)

Jeannette Strickland

Volume 4 • Issue 1 • 2021 • Volume 4 • 15

A Supercut of Supercuts: Aesthetics, Histories, Databases
A Supercut of Supercuts: Aesthetics, Histories, Databases

Max Tohline

Volume 4 • Issue 1 • 2021 • Volume 4 • 8

The Asian-African Film Connection: Cross-Cultural Imaginaries, Shared Sources, Parallel Histories
The Asian-African Film Connection: Cross-Cultural Imaginaries, Shared Sources, Parallel Histories

Lindiwe Dovey and Kate Taylor-Jones

Volume 4 • Issue 1 • 2021 • Volume 4 • 1

Back to the Future: Imaginaries of Africa on East Asian Screens
Back to the Future: Imaginaries of Africa on East Asian Screens

Deanna T. Nardy, Jennifer Coates and Jamie Coates

Volume 4 • Issue 1 • 2021 • Volume 4 • 2

The New Americans? The Sino-African Relationship on Chinese and Ethiopian Screens
The New Americans? The Sino-African Relationship on Chinese and Ethiopian Screens

Michael W. Thomas and Chris Berry

Volume 4 • Issue 1 • 2021 • Volume 4 • 3

1001 Nights and Anime: The Adaptation of Transnational Folklore in Tezuka Osamu’s Senya ichiya monogatari/A Thousand and One Nights (1969)
1001 Nights and Anime: The Adaptation of Transnational Folklore in Tezuka Osamu’s Senya ichiya monogatari/A Thousand and One Nights (1969)

Rayna Denison and Stefanie Van de Peer

Volume 4 • Issue 1 • 2021 • Volume 4 • 4

Transformational Identities of Children within Iranian and South African Fiction Films: Ayneh (The Mirror) and Life, Above All
Transformational Identities of Children within Iranian and South African Fiction Films: Ayneh (The Mirror) and Life, Above All

Yunzi Han and Christine Singer

Volume 4 • Issue 1 • 2021 • Volume 4 • 5

Returning to the Scene: Seriality and the Serial Killer
Returning to the Scene: Seriality and the Serial Killer

Katie Jones

Volume 3 • Issue 1 • 2020 • Volume 3 • 5