Articles

Dismembered Frames: Dialectic Intermedia in Peter Greenaway’s The Pillow Book
Dismembered Frames: Dialectic Intermedia in Peter Greenaway’s The Pillow Book

Benedict Morrison

2020-12-09 Volume 3 • Issue 1 • 2020 • Volume 3

Re-Writing the Past, Autobiography and Celebrity in Agatha (1979): ‘An Imaginary Solution to an Authentic Mystery’
Re-Writing the Past, Autobiography and Celebrity in Agatha (1979): ‘An Imaginary Solution to an Authentic Mystery’

Sarah Street

2020-07-09 Volume 3 • Issue 1 • 2020 • Volume 3

The Dangers of Getting What You Asked For: Double Time in Twin Peaks: The Return
The Dangers of Getting What You Asked For: Double Time in Twin Peaks: The Return

Dominic Lash

2020-07-09 Volume 3 • Issue 1 • 2020 • Volume 3

After All This Time, Isn’t It Still ‘About Time’? Artist’s Work in Slide-Tape in the UK Since the 1970s
After All This Time, Isn’t It Still ‘About Time’? Artist’s Work in Slide-Tape in the UK Since the 1970s

Mary C. White

2019-12-19 Volume 2 • Issue 1 • 2019 • Volume 2

Style, Structure and Allusion in Lucifer Rising
Style, Structure and Allusion in Lucifer Rising

Paul Taberham

2019-06-11 Volume 2 • Issue 1 • 2019 • Volume 2

Peace Cinema: Religious Pacifism and Anti-War Sensibility in Friendly Persuasion (1956)
Peace Cinema: Religious Pacifism and Anti-War Sensibility in Friendly Persuasion (1956)

Guy Westwell

2019-05-23 Volume 2 • Issue 1 • 2019 • Volume 2

Opening the Paratext: The Hitchcock Trailer as Assertion of Authorship
Opening the Paratext: The Hitchcock Trailer as Assertion of Authorship

Elan Gamaker

2018-12-28 Volume 1 • Issue 1 • 2018 • Volume 1

‘Make Do and Mend’: Crafting a Scottish Underdog in The Flying Scotsman (2006)
‘Make Do and Mend’: Crafting a Scottish Underdog in The Flying Scotsman (2006)

Matthew Robinson

2018-11-23 Volume 1 • Issue 1 • 2018 • Volume 1

Looking Back at the (French) Opera-Film
Looking Back at the (French) Opera-Film

Phil Powrie

2018-10-09 Volume 1 • Issue 1 • 2018 • Volume 1

Review: Horror Film: A Critical Introduction by Murray Leeder
Review: Horror Film: A Critical Introduction by Murray Leeder

John Lynskey

2018-10-03 Volume 1 • Issue 1 • 2018 • Volume 1