Articles

116 results

Book Review: Cecilia Sayad, The Ghost in the Image: Technology and Reality in the Horror Genre (New York: Oxford University Press, 2021)
Book Review: Cecilia Sayad, The Ghost in the Image: Technology and Reality in the Horror Genre (New York: Oxford University Press, 2021)

Ami Nisa

Volume 7 • Issue 1 • 2025 • Rolling Volume 7.1

Book Review: Chris Pallant, Beyond Bagpuss: A History of Smallfilms Animation Studio (London: BFI, 2022).
Book Review: Chris Pallant, Beyond Bagpuss: A History of Smallfilms Animation Studio (London: BFI, 2022).

Thomas Evans

Volume 7 • Issue 1 • 2025 • Rolling Volume 7.1

Suffocated But Screaming
Suffocated But Screaming

Alison Peirse

Volume 7 • Issue 1 • 2025 • Rolling Volume 7.1

A film-maker not a note-taker: a roundtable discussion on the craft of script supervision 
A film-maker not a note-taker: a roundtable discussion on the craft of script supervision 

Melanie Williams

Volume 7 • Issue 1 • 2025 • Rolling Volume 7.1

Structuring the personal in Life-Work
Structuring the personal in Life-Work

Fraser Cornall

Volume 7 • Issue 1 • 2025 • Rolling Volume 7.1

Unorthodox and disobedient Jewish cosmopolitans on our screens: The case of Unorthodox (Schrader, Winger, 2020)
Unorthodox and disobedient Jewish cosmopolitans on our screens: The case of Unorthodox (Schrader, Winger, 2020)

Deborah Shaw

Volume 7 • Issue 1 • 2025 • Rolling Volume 7.1

Roundtable Discussion: Policy, Data and the UK's Hidden Screen Industries

Emily Caston

Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries Special Issue • Article 9

Soho’s ‘other’ film industry: Researching Hidden Screen Economies

Oliver Carter

Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries Special Issue • Article 3

Revealing and Concealing Oil: The Hidden Screen Industry of Animated Petroleum Films

Malcolm Cook

Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries Special Issue • Article 6

Fashion Film and the Art and Archaeology of Screen Promotion.
Fashion Film and the Art and Archaeology of Screen Promotion.

Emily Caston and Marketa Uhlirova

Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries Special Issue • Article 8

The Moving Picture Company: Innovators and Early Adopters of British Video Post-production.

Emily Caston

Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries Special Issue • Article 7

Medicine on Film: A British Case History

Angela Saward

Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries Special Issue • Article 4

The Full Picture:  Perspectives on an Archaeology of British Screen Advertising Production 

Emily Caston

Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries Special Issue • Article 2

Hidden Screen Industries: The ‘Known Unknown’ in Screen History.

Emily Caston

Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries Special Issue • Article 1

‘Taken by my wife’ – Challenging the Amateur/professional binary in Wessex Film and Sound Archive’s (WFSA) Early Films (1895-1922)

Zoe J Viney Burgess

Volume 6 • Issue 3 • 2024 • AHRC Hidden Industries Special Issue • Article 5

Smartphone film, memory’s connective turn and the aesthetics of embodiment in Do You Remember That Year? (2020)

Piotr Cieplak

Volume 6 • Issue 2 • 2024 • Volume 6.2

Flashes in the Pan: Short Lived Trends, Television Star Specials, and the Transmedia Contexts of Elvis Presley’s 1968 “Comeback”

Anthony Thomas McKenna

Volume 6 • Issue 2 • 2024 • Volume 6.2

Şehnaz, Elmas, Mina, and the Others, Who Kill The Angel in Their Houses

Pinar Fontini

Volume 6 • Issue 2 • 2024 • Volume 6.2

Book Review: Cardwell, Sarah, Jonathan Bignell, and Lucy Fife Donaldson (eds), Epic / Everyday: Moments in Television (Manchester, UK: Manchester University Press, 2023).

Leanne Weston

Volume 6 • Issue 2 • 2024 • Volume 6.2

Review: K. J. Donnelly and Louis Bayman (eds.), Folk Horror on Film. Return of the British Repressed

Tim Lindemann

Volume 6 • Issue 2 • 2024 • Volume 6.2

'Enter the Memory': Interactivity, Authorship, and the Empowered Spectator in the Digital Audio-Visual Essays of Chris Marker
'Enter the Memory': Interactivity, Authorship, and the Empowered Spectator in the Digital Audio-Visual Essays of Chris Marker

James Michael Slaymaker

Volume 6 • Issue 1 • 2023 • Volume 6.1

Tennis | House: Medical Imaging as Videographic Criticism

Kevin L Ferguson

Volume 6 • Issue 1 • 2023 • Volume 6.1

Abraham Lincoln in the Hollywood cinema
Abraham Lincoln in the Hollywood cinema

Tom Brown

Volume 6 • Issue 1 • 2023 • Volume 6.1

Book Review: Andrew Spicer, Sean Connery: Acting, Stardom and National Identity (Manchester: Manchester University Press, 2022)
Book Review: Andrew Spicer, Sean Connery: Acting, Stardom and National Identity (Manchester: Manchester University Press, 2022)

Gillian Kelly

Volume 6 • Issue 1 • 2023 • Volume 6.1

Book Review: Anne-Katrin Weber, Television Before TV: New Media and Exhibition Culture in Europe and the USA, 1928-1939 (Amsterdam: Amsterdam University Press, 2022).
Book Review: Anne-Katrin Weber, Television Before TV: New Media and Exhibition Culture in Europe and the USA, 1928-1939 (Amsterdam: Amsterdam University Press, 2022).

Kevin Geddes

Volume 6 • Issue 1 • 2023 • Volume 6.1